To make a monitor active, simply click anywhere on it. You can have multiple source monitors open at any time, but you’ll only copy content to the timeline from the source monitor that is active. If for some reason you do not see your timeline, click the “show timeline” button on the right side of the destination monitor. The timeline is where you will cut in footage from your source monitors. You only have one destination monitor, which is attached to a timeline. To briefly recap an important note from the previous tutorial, remember that source monitors are outlined in blue and your destination monitor is outlined in red. If you don’t have videos of your own to work with, you can download these Path To Adventure Video Assets and follow along. You’ve watched all of your footage, and you know which takes you like, but what should you drop in first? This will change depending on the format of your show, but generally I like to start by laying down a wide shot, then cutting in close ups as they are needed. One of the most exciting and intimidating parts of editing is making the first cut. Today we’ll focus on making an assembly edit, so we can quickly get results as we get comfortable with the Lightworks toolset. Your edit is then further refined as a rough cut, then a fine cut, and finally a lock cut. The first edit, known as an assembly edit, is a rough assemblage of scenes and best takes with no music or effects added. My approach may be much different than your approach, but generally your edit will need to go through multiple phases before it is considered complete. While there is a general process to editing, there are no hard and fast rules.
Lightworks video editor how to add text how to#
Now that you know how to set up a Lightworks project and have mastered importing video, JKL playback, and setting cue points, it’s time to get serious about editing.